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Apr 7 17 9:38 PM
"Tonight is about celebrating that Big Bang ... when we welcomed ELO ... a musical galaxy right between Chuck Berry and Beethoven," says musician
Dhani Harrison inducted the Electric Light Orchestra into the Rock and Roll Hall of Fame Friday night, led by his father's former Traveling Wilburys bandmate Jeff Lynne. The group has had many members come and go over the years, but the Hall of Fame only inducted keyboardist Richard Tandy, drummer Bev Bevan and multi-instrumentalist Roy Wood alongside Lynne. (Bevan was unable to make it due to a prior commitment.)
"It's like my dad said, everything comes to him who waits," Jeff Lynne tells Brooklyn crowd
Dhani grew up around Lynne, who produced his father's 1987 comeback LP Cloud Nine and stayed close with him for years afterwards. The singer talked about going to see ELO, his first rock concert with his father and the surprise he had when his dad jumped onstage with Lynne and Co. to play "Johnny B Goode." Read the full speech below.
I'm truly honored to induct one of my all-time favorite bands, Electric Light Orchestra, into the Rock and Roll Hall of Fame. I can't imagine any of us being here tonight, least of all myself, without the tremendous life and music of Chuck Berry and on behalf of my band, nice one, Chuck. Now, if my father was still with us I would imagine he would be standing where I am right now graciously inducting the original members of the ELO into the hall of fame. He loved ELO. People loved ELO. I'd like to introduce the four original members who will be inducted tonight. The powerhouse drummer, Bev Bevan. With his rocking solo on "Don't Bring Me Down," he oftentimes would bring the house down. Even the keyboard player, Richard Tandy, still with him today but unfortunately not with us today. The groundbreaking, multi-instrumentalist Roy Wood. He wrote many of ELO's early songs. While Roy's time in the band may be shorter than the others he will always be an architect of ELO's DNA.
Last and certainly least, just kidding, my dear, dear pal, Jeff Lynne. A great songwriter, producer, musical [genius] of our time, a rare genius, a real live legend, ELO's mastermind for nearly 50 years. Jeff is one of my father's dearest friends and it was March of 1986 when I had my first close encounter of the ELO. My dad took me to a benefit concert in England. A massive arena packed to the roof for a headlining set by their hometown heroes. Bev, Richard and Jeff were all there. I'm remember it just like it was yesterday. This is my first big rock show. I was seven-and-a-half and from my distinction, ELO's performance that night was less like a regular rock band and more like what I think a 21st century, extraterrestrial space man with bizarre instruments. Their songs sound like a symphony. I stood there in silent astonishment watching these guys offer up incredible songs like, "Evil Woman," "Telephone Line," "Do Ya," "Mr. Blue Sky." Right? I thought, why do I need to see anyone in our house playing such strange looking instruments. I mean we all had guitars in our house but that guy had a tiny blue guitar jammed under his chin and that other guy has a massive big guitar on his side playing it. Very strange.
Anyway, onstage, the band appeared to be having as much fun as we were. That's when I decided they reminded me of a Star Wars cantina band. Only with lots more hair. Smoke all around in the air around them. The leader of the space band stood in the middle, singing falsetto like an angel. He seemed affable and occasionally he'd exchange pleasantries with us humans: we mean your planet no harm. I wanted to be transported, beamed up, probed, whatever, I just wanted to join their team and never go back. So after a dozen or so songs my father gets up from his seat and tells me to wait for him with this candy man who had taken us to our seats. He walked off and moments after he disappeared from view suddenly he reappeared onstage carrying a guitar. I began to panic because this was first time I had ever seen my dad play an instrument, ever, onstage in my entire life. Out of nowhere, in perfect unison, they all kicked into "Johnny B Goode." I remember thinking "What is going on? My father is being abducted by an intergalactic space orchestra." ELO has taken my father and left me behind.
The candy man assured that he would eventually be returned to us. So we made it back home together eventually and to my joy and surprise with ELO extraterrestrial wizard captain, the man with it all, Jeff Lynne. He had come to live with us on Earth and Jeff was soon a permanent fixture at our house. Him and my dad drove the same car. We were a traveling family. I got to see Jeff work in his secretive ways often late night. This was the dawn of an incredible blast of creativity for Jeff. He worked with dad on "Cloud Nine" and he produced Roy's "Mystery Girl." Co-wrote, co-produced "Full Moon Fever." I began to learn the Jeff Lynne studio lexicon you know words like "trilby" and "model scum." It's a tremendous category of artists that Jeff worked with – Paul McCartney, Tom Petty, Joe Walsh. They aren't musicians who needed a lot of help, but they just needed Jeff. During one of those sessions I began to realize that all of my dad's friends were in fact from outer space like Jeff. You could tell because of their eyes, right? Their eyes were far more sensitive to Earth's bright sun. They communicated with each other via jukeboxes [and] secret messages through records.
These UFO-esque machines that I came to discover, were the albums of ELO. Starting from disc one, track one of the New World record. It just starts so quietly that I had to turn it up and then the terrifying sound of my roof caving in straight into the giant orchestral arrangement with a choir with big strums and that laser guitar. You're allowed to start a record like that? Somebody actually wrote an album like that and my life was changed. And years later, on a personal level, it hits back to home. [When] my father was lost we were trying to find a record, it seemed we had run out of time, but he told me seek out once again that space wizard, Jeff and that together we would know what to do. Jeff knew exactly how to cross that bridge. And within the process, I finally learned what "trilby" meant. Yes, I actually speak fluent Jeff now.
Working with Jeff is one of the most amazing times I've ever had. Seeing those beautiful blue eyes peeking over the top of those space lenses has carried me through some of the toughest musical moments of my life and for that I thank you. ELO is alive and well in the galaxy. There were ELO sightings last year at Glastonbury. They were seen by hundreds of thousands of people over a Hyde Park. I saw ELO two nights in a row over the Hollywood Bowl. It was in November right after the election and trust me when I tell you I was staring at their spaceship thinking, "take me with you." I saw some kids there that could have been seven-and-a-half and more of them that were probably seventy-seven-and-a-half all wanting to get beamed up.
Jeff, thank you for bringing the spaceship back with that "Mr. Blue Sky" laser guitar sound. Tonight is about celebrating the beginning, the birth, that Big Bang in 1970 when we all welcomed ELO, right? It's to celebrate these four superbly talented musicians, Roy, Bev, Richard, and Jeff who didn't always get along, but who were there in the beginning, willing to throw down together on these joyous rock, classical harmonies, these killer songs, that have lived longer than any of us now, somewhere around in a musical galaxy right between Chuck Berry and Beethoven. And so it's my great, great honor on behalf of all the humans that voted for this, because on some other planet I'm sure they've already done this, to induct ELO into the Rock and Roll Hall of Fame.
Apr 7 17 11:55 PM
NEW YORK - Opening a show that features one of the biggest bands of the 25 years, the most iconic rapper of all time and an endless number of brilliant musicians can be a tough task. But Jeff Lynne and Electric Light Orchestra were up for it.
ELO was the first artist honored at Friday night's Rock & Roll Hall of Fame Ceremony at the Barclays Center in Brooklyn. Lynne and the current lineup of the ELO hopped on stage right after a moving tribute video for Chuck Berry and performed a cover of the guitar legend's "Roll Over Beethoven."
It was the perfect way to begin a ceremony that took place less than a month after Berry's death. Lynne and company used "Roll Over Beethoven" (a song they've been playing for 45 plus years) to kickoff a set highlighted by a great rendition of "Evil Woman."
It was a pretty straightforward way to begin the ceremony with ELO's thrilling musicianship. Dhani Harrison, the son of George Harrison, took the stage to honor his late father's longtime friend.
Harrison joyfully recalled an ELO show in which his father joined the band on stage.
"The leader of a space band stood in the middle, singing like an angel," Harrison said of Lynne. "My father [was] being abducted by a space orchestra."
Harrison threw tons of praise Lynne's way, all of it deserving for "ELO's extraterrestrial captain."
During ELO's induction speech, Roy Wood praised Lynne for writing the music that earned the band its spot in the Rock Hall.
For his part, Lynne kept things brief. He recalled, touchingly, the musical education he received from his parents, before ending things. It was a subdued induction, but one with a touch of class.
"Thank you all very much indeed," Lynne said. "And I'll hand you over to someone else." Extraterrestrial captain out.
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